

Chitra Banerjee Divakaruni
One Amazing Thing
TO MY THREE MEN
MURTHY
ANAND
ABHAY
We create stories and stories create us. It is a rondo.
CHINUA ACHEBE
If no one knows you, then you are no one.
DAN CHAON
1
When the first rumble came, no one in the visa office, down in the basement of the Indian consulate, thought anything of it. Immersed in regret or hope or trepidation (as is usual for persons planning a major journey), they took it to be a passing cable car. Or perhaps the repair crew that had draped the pavement outside with neon-orange netting, making entry into the building a feat that required significant gymnastic skill, had resumed drilling. Uma Sinha watched a flake of plaster float from the ceiling in a lazy dance until it disappeared into the implausibly green foliage of the plant that stood at attention in the corner. She watched, but she didn’t really see it, for she was mulling over a question that had troubled her for the last several weeks: Did her boyfriend, Ramon (who didn’t know where she was right now), love her more than she loved him, and (should her suspicion that he did so prove correct) was that a good thing?
Uma snapped shut her copy of Chaucer, which she had brought with her to compensate for the Medieval Lit class she was missing at the university. In the last few hours she had managed to progress only a page and a half into “The Wife of Bath’s Tale”-despite the fact that the bawdy, cheerful Wife was one of her favorite characters. Now she surrendered to reality: the lobby of the visa office, with all its comings and goings, its calling out of the names of individuals more fortunate than herself, was not a place suited to erudite endeavors.
